Vocal Correction Vst

Choose a correction type. In the column on the left of this editor view, you can see several options. If you select one or more notes and click the Correct button, Reason will snap the pitch and timing of the selected slices to the nearest grid positions, effectively quantizing both pitch and time, based on the sequencer's snap settings. While it's the best vocal VST plugin out there, not everyone can spend $400+ on just 1 tool. That's why I present you MAutoPitch, one of the best Auto-tune alternatives around. It lets you correct sour notes, fix pitch, and even add the iconic T-Pain effect (just max the tuning and the speed). Yes,you choose during the instalation if you need: vst,2or 3 and/or 32 / 64 bit. Sonar is not official supported by Waves, but you can find many Sonar users running Waves Pluggies. A pitch-correction like Waves Tune you will like for live situations and slight correction in realtime. The plugin will now make corrections on notes that are off key. You can later go in and make manual adjustments, select the note transition, vibrato speed and more. Depending on which settings you use (mainly note vibrato speed, note transition, and ratio), the pitch correction effect can be realistic or extreme like the top hit robotic sound.

• Vocal Correction Vst
• Vst Vocal Harmonizer

1. Load or record your sample

Reason is now able not only to tempo slice audio parts that you record or import, as it has been able to do for a couple of years, but also analyse monophonic vocal audio parts and make them editable in a similar way to something like Melodyne. At present, it's restricted to working best with monophonic vocal parts and not polyphonic audio (although this may change), but it's still a massive bonus to be able to alter the pitch and timing of vocals in a completely elastic way! Load up or identify a monophonic vocal clip in your project and then double-click it and you will see it opens in the pitch edit view. Zoom in a little so you can see all the slices.

2. Identify slices

You will see that Reason has identified the different pitches in this sung audio passage, and also the lengths of those notes, which are shown as differently sized blue rectangles. You can click on any note to hear it played as a tone, or hold the Command (Mac) or ALT (PC) key while clicking to audition the actual slice sound itself. These slices obey your sequencer's snap settings and much of the time it can be a good idea to leave snapping switched on to a setting like 1/16 so you don't accidentally detune a note or mess up its timing. Of course you can turn snapping off if you do need to make very small changes to pitch or timing.

3. Change pitch

With snapping switched on, you will find that you can drag any slice up or down to transpose it by a semitone per step. Drag two steps to transpose by a whole tone, and so on. You can move pitches quite far up or down before they start to sound odd, so changing a vocal part from major to minor or vice versa for example is easy: just change the minor notes to major ones, or major to minor. You can also hold the Shift key while selecting multiple, noncontinuous notes and then drag them all up or down by the same amount at the same time.

4. Quantize timing

The same technique applies to altering timing, and the snap settings also apply. The difference here is that you can pick up either end of a blue slice and then drag left or right to alter the length of that sound, syllable or word. When you do this, the overall length of the clip will not be changed but the previous or following note (depending on which end you are dragging) will be lengthened or shortened (depending on which direction you drag) so that the gap is filled, and there is no silence created. This can be one instance in which you might want to turn snapping off or use a very fine snap value so that you can precisely control the points at which words or sounds occur.

5. Alter transition time

By picking up and dragging the blue 'stick' between and below each slice, you can alter the transition between two slices. What this does in practice is change the time one note takes to overlap with another. A very short overlap and the jump between notes is very quick and robotic. A longer overlap means a smoother transition, and you can be flexible with how you set this. It's particularly useful when editing the lengths of slices to ensure they don't end up sounding artificial.

6. Work with vibrato

The white stick above a slice is used to control vibrato. The wavy lines you see in black behind a slice represent the vibrato of that note—vibrato being an important component of sung notes. An intense wave in the line means lots of vibrato and less waving or indeed a flat line means little or no vibrato. By dragging the white stick you can alter the vibrato, but bear in mind that you can't add more than was originally present in the recording: you can only have 0–100% of the original vibrato. Still, this is handy for smoothing out vibrato when there's too much in the original notes.

7. Choose a correction type

In the column on the left of this editor view, you can see several options. If you select one or more notes and click the Correct button, Reason will snap the pitch and timing of the selected slices to the nearest grid positions, effectively quantizing both pitch and time, based on the sequencer's snap settings. The Reset button can be used to undo this and return both to their original state. The Transpose modes are Snap and Jump, which either snap to the snap setting or jump a whole note, and Fine, which gives you very precise control to move the pitch or position of a note using the mouse.

8. Get full control via the toolbar

The toolbar at the top of the pitch editor section allows you to make manual settings for any slices and in some cases, for groups of slices. These are mostly the same controls you can access by selecting slices with the mouse but here they allow you to be more precise by entering exact values, for example fine tuning one or more slices by exactly 25 cents. One interesting feature that may not be immediately obvious is the Level control at the far right, which lets you manually make any slices selected louder or quieter without affecting other slices or the level of the track in the mixer. This is incredibly useful for when an individual sound or word inside a vocal part is too loud or quiet, and saves you having to export the clip to a wave editor to make the correction. Simply change slice level directly in the pitch editor!

Disclosure: When you buy through our links, we may get a commission at zero cost to you.

I guess you would have to agree with me that the best way to polish your vocal recording or a vocal sample is to sprinkle some effects, just like the way you would sprinkle a reasonable amount of ingredients on your food. If done right, it sounds delicious right, yum yum 😉 Always sunny drugs.

Vocal effects are no exception to the ingredient perspective, you need to add a reasonable amount of effects to make them sound lively, and enjoyable to the listeners.

Don't get me wrong, I ain't saying you should stack effects upon effects on your vocal samples, too much of everything is bad. That said, let us look at the best free awesome VST effects plugin in the music production scene.

Let's ride on…

Page Contents

• 5.) g200kg – KeroVee
• 10.) MGF – TimeWarp

1.) AegeanMusic – PitchProof

If you haven't heard of PitchProof, then, you are definitely missing out, this is like the secret tool I use on Vocals but it wasn't even developed for Vocal, it was actually designed to work on monophonic signals such as guitar solos, but I'll give you a tip on how I have been using it:

You don't want to apply it in realtime, what you should do instead is to first select the key of the harmony, then you turn the Blend knob all the way to the right; wet e.g:

Export the vocal result, add whatever effects plugins you gat on your toolbox (vocal, flangers, etc) to spice up the pitched vocal, and then stack it on top of the original vocal. Boom, you have something unique!

Note: You don't have to always push it all through the wet side as this might cause artifacts, just experiment and stick with what works for you.

You can even export more vocal, and maybe this time, you can try by reducing the detune knob, anyways, experiment until you get your preferred test.

That said, let's look at some of the features of PitchProof:

The Blend control knob would let you adjust the level of pitch shift, while the Pitch drop-down menu lets you select pitches like +7 or -7, or harmonies which are intelligent pitch-shift effects.

Moreover, there are also some options at the bottom of the PitchProof plugin which give you the option to switch between stereo and mono; mono could save your CPU, while the stereo option could cause a resource hog if used on multiple inserts.

Transient Fix can be switch on or off to spice things up a little!

2.) Auburn Sounds – Graillon

This is an autotune VST plugins designed and developed by Auburnsounds. This plugin is superb in the way it handles pitch correction.

It not only supports pitch correction but supports the generation of throat sounds, making octave sounds, enriching, and enhancing vocal expressiveness.

Also, there is a pitch shift parameter that transposes vocals up and down in octaves and semitones.

Features:

• Pitch Shifter cleanly transposes a voice up and down and has been optimized for voice.
• Pitch Correction module brings an immediate robotic sound, while the Bitcrusher addition softly adds sparkles to the mix.
• Freemium

System Requirements

• Available as VST, VST2, AAX, and Audio Unit plugin for macOS and Windows platform.

Download Graillion Auto-Tune Plugin

3.) JHudStudio – Vocal King

Vocal King helps glue the vocal in a mix, and it comes preloaded cool parameters, that could help in customizing the audio signal of a vocal track.

The Pres Compressor knob helps in bringing out the clarity of a vocal, so, by turning up the gain of the Pres Comp brings out the presence in the vocal along with giving it a smooth compression. On the other hand, the Low cut, Tighten, and the Bass knob compliment the Pres Comp in taking out muddy frequencies without the vocal sounding too thin.

I also love playing with the Crispy knob as it sprinkles some sparkles to the audio signal.

Features:

• Help vocals to stand out in a mix by giving them amazing presence, clarity, and compression. Can easily work on any other content.
• Acts like are preamp giving the signal a strong boost.
• Easy to use interface for fast results.
• Easy to read meters
• Very CPU efficient compared to other types of plugins.
• It can be used on many other audio sources as well.

System Requirements

• Vocal King supports MAC/Windows/32bit/64bit/VST2/VST3/AU. Supports MAC OS X 10.7 / Windows 7 and higher. Older systems may not work.

4.) Sonic Anomaly – Vola

Vola is a Voice Optimized Leveling Amplifier made for broadcast voice dynamics processing, it also works with different kinds of audio material, like drums, percussive instrument, and synth pads.

This fantastic tool is solely for cleaning up sound files but can be used for extreme compression effects as well.

Features

• Real-time Visual Metering for changes in dynamics
• Upwards & downwards compression, each separately adjustable.
• Stats Display and more compression settings

Download Vola Vst (Windows)

Download Vola Jsfx (Windows and Mac)

5.) g200kg – KeroVee

This is a pitch correction VST plugin tool and has strengthened to support natural pitch correction.

This tool is handy and can perform different and various types of voice effects, for example, a conversion of the male voice to a female voice and vice versa.

KeroVee comes bundled with useful parameters for the effectiveness of the auto-tuning process, Parameter includes:

• Scale Button: This is for specifying the scale you want to tune. Setting a wrong scale would result in an awful result, in a simple sentence, Know your scale before you go into this one
• TuneSpeed: This will allow you to set the speed of correcting the pitch.
• Nuance: This is one of the best and lovely parameters, you can use this to set a fine vibrato of the original sound, use this to create all sorts of weird effects.
• Amount: Set to zero (0) if you want no correction, setting to 100 will result in full correction of the pitch
• and many more parameters like Transpose option, master volume, etc.

System Requirements

• A compatible host program that supports the VST formats

6.) Martin Eastwood – Duet

Have you heard those natural double effects in some tracks! Do you wonder how those are created? I guess yes 😉

Let me introduce to you – Duet, a double-tracking effect designed to enhance your audio sample be it vocal or even instruments, Duet is well capable of sparkling them up. The way Duet work is by pitch-shifting both the left and right inputs individually using a novel synchronous overlap and add technique, allowing pitch to be manipulated in real-time while still maintaining the time duration of the audio.

One thing I love about Duet is the way it can accurately create the illusion of multi-voices and adds varied texture to the mix. Onvif camera configuration tool. Experiment with Duet to see how it works.

Note: This is only available for Window

7.) MaxSynths – DSP-2

DSP-2 is designed with an intelligent Dynamic Processor, a 4-band equalizer fixed on vocal key frequencies, a saturator, and a room emulator based on the Schroeder reverberator. DSP is super simple to use and can serve basically all your vocal processing needs, again, experiment and keep experimenting to get the best settings that would soothe your need.

Features:

• Intelligent Dynamic Processor (IDP).
• 4 different automatic operative modes.
• Selectable compression ratio.
• Saturator with three different operation modes.
• EQ fixed on vocal key frequencies.
• Room emulator based on the Schroeder reverb model.
• Transparent increment of the perceived volume level.
• High precision input/output VU-meter.
• Low CPU usage.

8.) Distorque – Azurite

Azurite is a vocal effect by Distorque which is built for multi-voice chorus with a focus on rich sounds and versatile controls.

According To Distorque:

My goal in designing it was to make as flexible a chorus as possible without losing great tones and ease of use. The result is an effect that will be handy for producers, guitarists, and glitch lovers alike.

One of the great features of this plugin is the way you can create multiple simultaneous voices. Each of these voices can be further customized with their own delay line that is modulated by a separate LFO. Adding multiple voices leads to a thicker, smoother, and less wobbly tone. It also makes vivid stereo spreading possible with a mono signal.

The voice control helps you to choose how many voices you want for the chorus, e.g one, two, four, or eight.

Features:

5. Alter transition time

By picking up and dragging the blue 'stick' between and below each slice, you can alter the transition between two slices. What this does in practice is change the time one note takes to overlap with another. A very short overlap and the jump between notes is very quick and robotic. A longer overlap means a smoother transition, and you can be flexible with how you set this. It's particularly useful when editing the lengths of slices to ensure they don't end up sounding artificial.

6. Work with vibrato

The white stick above a slice is used to control vibrato. The wavy lines you see in black behind a slice represent the vibrato of that note—vibrato being an important component of sung notes. An intense wave in the line means lots of vibrato and less waving or indeed a flat line means little or no vibrato. By dragging the white stick you can alter the vibrato, but bear in mind that you can't add more than was originally present in the recording: you can only have 0–100% of the original vibrato. Still, this is handy for smoothing out vibrato when there's too much in the original notes.

7. Choose a correction type

In the column on the left of this editor view, you can see several options. If you select one or more notes and click the Correct button, Reason will snap the pitch and timing of the selected slices to the nearest grid positions, effectively quantizing both pitch and time, based on the sequencer's snap settings. The Reset button can be used to undo this and return both to their original state. The Transpose modes are Snap and Jump, which either snap to the snap setting or jump a whole note, and Fine, which gives you very precise control to move the pitch or position of a note using the mouse.

8. Get full control via the toolbar

The toolbar at the top of the pitch editor section allows you to make manual settings for any slices and in some cases, for groups of slices. These are mostly the same controls you can access by selecting slices with the mouse but here they allow you to be more precise by entering exact values, for example fine tuning one or more slices by exactly 25 cents. One interesting feature that may not be immediately obvious is the Level control at the far right, which lets you manually make any slices selected louder or quieter without affecting other slices or the level of the track in the mixer. This is incredibly useful for when an individual sound or word inside a vocal part is too loud or quiet, and saves you having to export the clip to a wave editor to make the correction. Simply change slice level directly in the pitch editor!

Disclosure: When you buy through our links, we may get a commission at zero cost to you.

I guess you would have to agree with me that the best way to polish your vocal recording or a vocal sample is to sprinkle some effects, just like the way you would sprinkle a reasonable amount of ingredients on your food. If done right, it sounds delicious right, yum yum 😉 Always sunny drugs.

Vocal effects are no exception to the ingredient perspective, you need to add a reasonable amount of effects to make them sound lively, and enjoyable to the listeners.

Don't get me wrong, I ain't saying you should stack effects upon effects on your vocal samples, too much of everything is bad. That said, let us look at the best free awesome VST effects plugin in the music production scene.

Let's ride on…

Page Contents

• 5.) g200kg – KeroVee
• 10.) MGF – TimeWarp

1.) AegeanMusic – PitchProof

If you haven't heard of PitchProof, then, you are definitely missing out, this is like the secret tool I use on Vocals but it wasn't even developed for Vocal, it was actually designed to work on monophonic signals such as guitar solos, but I'll give you a tip on how I have been using it:

You don't want to apply it in realtime, what you should do instead is to first select the key of the harmony, then you turn the Blend knob all the way to the right; wet e.g:

Export the vocal result, add whatever effects plugins you gat on your toolbox (vocal, flangers, etc) to spice up the pitched vocal, and then stack it on top of the original vocal. Boom, you have something unique!

Note: You don't have to always push it all through the wet side as this might cause artifacts, just experiment and stick with what works for you.

You can even export more vocal, and maybe this time, you can try by reducing the detune knob, anyways, experiment until you get your preferred test.

That said, let's look at some of the features of PitchProof:

The Blend control knob would let you adjust the level of pitch shift, while the Pitch drop-down menu lets you select pitches like +7 or -7, or harmonies which are intelligent pitch-shift effects.

Moreover, there are also some options at the bottom of the PitchProof plugin which give you the option to switch between stereo and mono; mono could save your CPU, while the stereo option could cause a resource hog if used on multiple inserts.

Transient Fix can be switch on or off to spice things up a little!

2.) Auburn Sounds – Graillon

This is an autotune VST plugins designed and developed by Auburnsounds. This plugin is superb in the way it handles pitch correction.

It not only supports pitch correction but supports the generation of throat sounds, making octave sounds, enriching, and enhancing vocal expressiveness.

Also, there is a pitch shift parameter that transposes vocals up and down in octaves and semitones.

Features:

• Pitch Shifter cleanly transposes a voice up and down and has been optimized for voice.
• Pitch Correction module brings an immediate robotic sound, while the Bitcrusher addition softly adds sparkles to the mix.
• Freemium

System Requirements

• Available as VST, VST2, AAX, and Audio Unit plugin for macOS and Windows platform.

Download Graillion Auto-Tune Plugin

3.) JHudStudio – Vocal King

Vocal King helps glue the vocal in a mix, and it comes preloaded cool parameters, that could help in customizing the audio signal of a vocal track.

The Pres Compressor knob helps in bringing out the clarity of a vocal, so, by turning up the gain of the Pres Comp brings out the presence in the vocal along with giving it a smooth compression. On the other hand, the Low cut, Tighten, and the Bass knob compliment the Pres Comp in taking out muddy frequencies without the vocal sounding too thin.

I also love playing with the Crispy knob as it sprinkles some sparkles to the audio signal.

Features:

• Help vocals to stand out in a mix by giving them amazing presence, clarity, and compression. Can easily work on any other content.
• Acts like are preamp giving the signal a strong boost.
• Easy to use interface for fast results.
• Easy to read meters
• Very CPU efficient compared to other types of plugins.
• It can be used on many other audio sources as well.

System Requirements

• Vocal King supports MAC/Windows/32bit/64bit/VST2/VST3/AU. Supports MAC OS X 10.7 / Windows 7 and higher. Older systems may not work.

4.) Sonic Anomaly – Vola

Vola is a Voice Optimized Leveling Amplifier made for broadcast voice dynamics processing, it also works with different kinds of audio material, like drums, percussive instrument, and synth pads.

This fantastic tool is solely for cleaning up sound files but can be used for extreme compression effects as well.

Features

• Real-time Visual Metering for changes in dynamics
• Upwards & downwards compression, each separately adjustable.
• Stats Display and more compression settings

Download Vola Vst (Windows)

Download Vola Jsfx (Windows and Mac)

5.) g200kg – KeroVee

This is a pitch correction VST plugin tool and has strengthened to support natural pitch correction.

This tool is handy and can perform different and various types of voice effects, for example, a conversion of the male voice to a female voice and vice versa.

KeroVee comes bundled with useful parameters for the effectiveness of the auto-tuning process, Parameter includes:

• Scale Button: This is for specifying the scale you want to tune. Setting a wrong scale would result in an awful result, in a simple sentence, Know your scale before you go into this one
• TuneSpeed: This will allow you to set the speed of correcting the pitch.
• Nuance: This is one of the best and lovely parameters, you can use this to set a fine vibrato of the original sound, use this to create all sorts of weird effects.
• Amount: Set to zero (0) if you want no correction, setting to 100 will result in full correction of the pitch
• and many more parameters like Transpose option, master volume, etc.

System Requirements

• A compatible host program that supports the VST formats

6.) Martin Eastwood – Duet

Have you heard those natural double effects in some tracks! Do you wonder how those are created? I guess yes 😉

Let me introduce to you – Duet, a double-tracking effect designed to enhance your audio sample be it vocal or even instruments, Duet is well capable of sparkling them up. The way Duet work is by pitch-shifting both the left and right inputs individually using a novel synchronous overlap and add technique, allowing pitch to be manipulated in real-time while still maintaining the time duration of the audio.

One thing I love about Duet is the way it can accurately create the illusion of multi-voices and adds varied texture to the mix. Onvif camera configuration tool. Experiment with Duet to see how it works.

Note: This is only available for Window

7.) MaxSynths – DSP-2

DSP-2 is designed with an intelligent Dynamic Processor, a 4-band equalizer fixed on vocal key frequencies, a saturator, and a room emulator based on the Schroeder reverberator. DSP is super simple to use and can serve basically all your vocal processing needs, again, experiment and keep experimenting to get the best settings that would soothe your need.

Features:

• Intelligent Dynamic Processor (IDP).
• 4 different automatic operative modes.
• Selectable compression ratio.
• Saturator with three different operation modes.
• EQ fixed on vocal key frequencies.
• Room emulator based on the Schroeder reverb model.
• Transparent increment of the perceived volume level.
• High precision input/output VU-meter.
• Low CPU usage.

8.) Distorque – Azurite

Azurite is a vocal effect by Distorque which is built for multi-voice chorus with a focus on rich sounds and versatile controls.

According To Distorque:

My goal in designing it was to make as flexible a chorus as possible without losing great tones and ease of use. The result is an effect that will be handy for producers, guitarists, and glitch lovers alike.

One of the great features of this plugin is the way you can create multiple simultaneous voices. Each of these voices can be further customized with their own delay line that is modulated by a separate LFO. Adding multiple voices leads to a thicker, smoother, and less wobbly tone. It also makes vivid stereo spreading possible with a mono signal.

The voice control helps you to choose how many voices you want for the chorus, e.g one, two, four, or eight.

Features:

Vocal Correction Vst

• Stereo or mono operation.
• Colour control emulates vintage analog choruses.
• 2 band EQ.
• LFO tempo sync.
• Feedback control allows for flanger sounds.
• 27 built-in presets.
• Delay time from 0.2ms to 200ms.
• 7 LFO shapes: Sine, Triangle, Sawtooth, Ramp, Exponential, Inverse Exponential, and Random.
• Spread control for a stereo widening of a mono signal.
• Control randomizer.
• Other controls: Depth, Speed, Wet Mix, Output, Separation, Dry Delay.

Note: This is only available for Window

Download Azurite Win 32 VST / Win 64 VST

9.) TerryWest – EasyVox

EasyVox contains a bunch of tool for vocal processing, such as:

• Dynamic mono vocal compressor/limiter/enhancer
• Three bands equalizer
• Autogain and Pre-Limiter
• Auto Noisegate
• Auto Band-off
• Three EQ models
• Fine EQ option
• EQ activity/bypass LEDs
• Low-Mid-Hicut
• Vocal Doubler effect
• Pre in/Post out gain
• In/out/reduction meters

Donate To The Developer, It helps him to build more exciting plugins

Note: This is only available for Window

10.) MGF – TimeWarp

Last on our list is Timewarp by MGF, which is a vibrato effect with 2 LFOs which can pan the pitch modulation amount for a stereo effect.

Features:

• Sine, Triangle, Saw and random waves with control over the shape and smoothing.
• Optional 4x upsampling and a smooth modulation algorithm ensure clean sound with minimal aliasing. Normal quality
• saves CPU and sounds brighter but less silky.
• 2 different interpolation algorithms are available (ALG).
• Fast modulation settings possible and encouraged

That is it, Good luck and have fun with music!

Vst Vocal Harmonizer